Short film research: A short coming of age film set in Honolulu

 



Genre: Coming-of-Age



 

 Conventions in the Coming-of-Age Genre


a. Common Cinematography (CAMs) in Coming-of-Age Films:

• Warm, nostalgic color grading to evoke a sense of youth and memory

• Handheld or tracking shots to follow the protagonist’s journey

• Wide shots to emphasize the character’s place in the world

• Soft focus or lens flares to create a dreamy, reflective atmosphere


b. Common Sound in Coming-of-Age Films:

• Indie or lo-fi music to capture a youthful, personal tone

• Diegetic sounds like waves, city ambiance, or laughter to ground the story in reality

• Voiceovers to reflect inner thoughts or personal growth

• Emotional crescendos in the score to highlight pivotal moments


c. Common Mis-En-Scene (CLAMPS) in Coming-of-Age Films:

• Costume: Casual, trendy, or era-specific clothing reflecting adolescence

• Lighting: Golden hour or natural lighting for a warm, nostalgic feel

• Actors: Young, expressive leads often portraying self-discovery

• Makeup: Minimal or natural makeup to maintain realism

• Props: Items tied to personal growth (e.g., journals, childhood mementos, surfboards in a Honolulu setting)

• Setting: Beaches, high schools, diners, or neighborhoods reflecting the character’s environment


d. Common Editing in Coming-of-Age Films:

• Flashbacks or montage sequences showing personal growth

• Quick cuts during energetic or rebellious moments

• Slow-motion shots for pivotal emotional scenes

• Use of warm, film-like grain for a nostalgic effect


e. Example Films in the Coming-of-Age Genre:

• The Edge of Seventeen (2016)

• Call Me by Your Name (2017)

• Lady Bird (2017)

• The Half of It (2020)


f. Elements of the Genre That I Like:

• Relatable themes of self-discovery and growing up

• Strong emotional arcs that feel personal and reflective

• Nostalgic aesthetics that create a warm, immersive experience


g. Elements of the Genre That Do Not Appeal to Me:

• Can sometimes rely on predictable tropes (e.g., rebellious teen vs. strict parent)

• Some films feel overly sentimental or idealized

• Pacing can be slow in character-driven narratives

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