Pitch A: A girl goes to hang out with her friend and soon realizes something is wrong. Pitch B: A girl goes to a hotel party with a lot of people and things start to become suspicious. Discuss pitch A: This pitch has a more interesting plot. To follow through with this pitch, there would be no money wasted, if any, it would only be $15 minimum. I have a perfect place that is near me and isn't a long drive for the final task to be filmed. My house is also a perfect place for a certain part of the final task to be filmed. Pitch A wouldn't require me to take any difficult measures at all, it would be a smooth process filming for pitch A which is exactly what I'm looking for, nothing too difficult for me. While deciding between pitches, I knew that this pitch would make filming this final task fun. Discuss pitch B: This pitch comes with too many complications. I don't want to waste money on a hotel room for a very short amount of time. Also, there is bar...
The short film Crush(ed) adheres to many conventions of the short film genre while presenting a humorous and slightly exaggerated take on the awkwardness of teenage infatuation. One of the primary conventions it follows is its focus on a singular conflict: the protagonists over-the-top obsession with their crush, creating a scenario that is both relatable and entertaining for viewers. The film employs sound design to heighten the comedic and dramatic elements, using exaggerated sound effects, lighthearted music, and abrupt silences to punctuate awkward or emotional moments. The mise-en-scene (CLAMPS) reflects the typical teenage world, with costumes like casual school attire and accessories that emphasize the youthful, quirky characters. The setting is limited to relatable locations such as classrooms, hallways, and bedrooms, grounding the film in a familiar environment. Lighting is natural and vibrant, maintaining an upbeat tone, while moments of heightened emotion or fantasy ma...
This week, I decided to take a short break from filming. Between schoolwork and the pressures of working on Burnt Out, I found myself getting a bit overwhelmed. I needed time to recharge, and I think it’s important to recognize when you need a pause. Taking this break also gave me the opportunity to think about the film from a new perspective. I’ve been adjusting parts of the script, trying to make it even more personal and reflective of my own experiences. It’s been a bit of a challenge balancing everything, but I think stepping away for a bit will make the final product stronger. During this time, I’ve also been focusing on post-production and watching the footage I’ve gathered so far. I’m looking at how each scene connects to the next and thinking about the emotional arc of the film. I’m feeling a little behind on my filming schedule, but it’s important to stay patient and trust the process. When I come back to shooting, I’ll be more energized and ready to tackle the next scen...